Beauty and
the Beast; or,
the Ethics of a Fairy Tale
An Aesthetic Realism Essay
by Lynette Abel
I learned from Aesthetic
Realism the reason fairy tales have been loved throughout the centuries
by children and adults alike is because they deal with ethical questions
that affect people every day. And some of these stories belong to the great
literature of the world because of how richly they put together opposites,
such as, good and evil, the strange and the ordinary, surface and depth,
appearance and reality--opposites which we want to make sense of in our
own lives. "All beauty," Eli Siegel explained, "is a making one of opposites,
and the making one of opposites is what we are going after in ourselves."
I will comment on
an 18th century version of a French fairy tale which I love, and which,
is important in terms of ethics, and can teach us about what makes for
happiness. Beauty and the Beast is about a subject which has
made for wonder and excitement in people over and over--what appears to
be on the surface is not what actually is in reality. This story
is critical of a woman's desire to think that what is on the surface is
all there is. It shows powerfully, that the deeper you go and the more
you want to know, the more meaning and value you will find.
There is uncertainty
as to its original author. The story I will quote from is by Madame
Leprince De Beaumont, written around 1740, and translated by Ronald Duncan.
Beauty and the Beast is about a rich merchant, his three daughters
and three sons. The two older daughters are outwardly beautiful, but they
are vain and selfish. The youngest daughter, who is called Beauty (la Belle)
is beautiful outwardly, but also inwardly--she is kind and wants to have
a good effect on others. When her father's fortune falls on hard times,
Beauty has good will. She rises at 4 in the morning to begin cooking
and cleaning for the family. Madame De Beaumont writes:
"When her work was finished, she
would read, play the harpsichord or sing at the spinning wheel. But
her sisters were bored to death; they rose at ten in the morning....and
passed their time bemoaning the loss of their beautiful clothes.... "Look
at our younger sister," they said to each other; 'she is so vulgar and
stupid that she is satisfied with her unhappy position.' "
What Beauty stands for
throughout this fairytale is described by Eli
Siegel in the international journal The
Right of Aesthetic Realism to Be Known, issue 274:
"The most beautiful thing a person
can do is to be interested in justice so much that his care is a deep cause
of his happiness."
On learning that one
of his ships had recently come into port safely, the merchant sets out
to claim it. The older daughters beseech him to "bring them back
dresses, fur tippets, headdresses and baubles of every kind." Beauty,
not wanting anything except the safe return of her father, but also not
wanting to offend her sisters by not asking for anything, asks for a rose.
At the harbor the
merchant finds his goods have been taken by his creditors and he begins
his return home as poor as before. Losing his way through a dark,
snowy forest, he sees a light which leads him to a great castle.
Upon entering it, he finds a blazing fire and a table set with food and
wine. He eats and falls asleep. The next morning the merchant sets
out and on seeing a bower of roses and remembering her request he plucks
one off for Beauty. At that moment the merchant hears a terrible
voice and sees a Beast who is so hideous he nearly faints. The Beast says:
"How ungrateful you are....I saved
your life by taking you into my castle, and in return...I find you stealing
my roses....You must die to expiate this crime....I will forgive you on
condition that one of your daughters comes here willingly to die in your
place."
The merchant returns
home and after telling of his unhappy adventure, Beauty slips out in the
middle of the night and returns to the castle in her father's place.
She meets the Beast for the first time. The story continues:
"When Beauty saw the Beast's hideous
face she...tried to control her fear, and when the monster asked her if
she had come willingly, she replied tremblingly that that was so. "That
is good of you," said the Beast, "and I am much obliged.... Good night,
Beauty." "Good night, Beast."
The next day Beauty
decides to explore the castle. She wants to find things to be pleased
by, even as she is afraid that the Beast may kill her. De Beaumont
writes:
"...to her surprise, she saw a door,
on which was written Beauty's [Room]...and was dazzled by the elegance
within. But what pleased her most was a huge bookcase, a harpsichord
and several volumes of music. "They don't want me to be bored," she
said quietly."
Beauty is trying to like things around her.
And she feels she is being thought of deeply--her mind is being valued--not
just her outward appearance. Every evening when Beauty has dinner,
the Beast visits her and she looks forward to their talks. And she
doesn't stop at how the Beast looks--she wants to know him. One evening
the Beast says to her:
"I suppose you find me very ugly,
don't you?" "That is true," said Beauty, "for I cannot lie; but I
think that you are very kind....I must confess that your goodness pleases
me,...I like you with your face better than those who, beneath a man's
face, hide a false, corrupt and ungrateful heart." ...Beauty...hardly feared
the monster any more, but she nearly died of fright when he said to her:
"Beauty, will you marry me?" She said, trembling, "No, Beast." ...Every
evening the Beast came to see her and spoke to her...with much good sense....Each
day Beauty discovered fresh signs of the monster's kindness."
In 1979, the late Sheldon
Kranz, Aesthetic Realism consultant and teacher of the course "Literature
and the Self," discussed Beauty and the Beast, which he said was
great and explained:
"[Beauty] comes to see that under
[the beast's] physical ugliness there is something that is really very
beautiful but it takes perception. It's a way of saying you've got
to like the world even if it doesn't look so beautiful [at] first."
Every evening the Beast
asks Beauty if she will marry him. And she refuses, though it distresses
her that he is pained by this. She tells the Beast she will never leave
him altogether, but she asks to see her father again, and promises to return
in a week. The Beast agrees to let her go and says she need only
lay her ring on a table when she wants to return. If she does not keep
her promise, he will die of grief. The next day she awakes in her
father's home. Her sisters visit and are furiously jealous of her
happiness.
In a class Eli Siegel
once said to me: "The whole purpose of life is to be exact about
value....if you aren't exact, you're rooking yourself." Beauty's
sisters in their inexactitude, have rooked themselves. They have
married men for their handsomeness and wit and found them vain and sarcastic,
and both women are miserable. They plot to have Beauty stay past
a week with the hope that the Beast, in anger, will kill her. They
feign such sadness at her leaving that Beauty agrees to stay. Then
in a dream she sees the Beast "lying prostrate on the grass about to die."...
"How wicked I am, she said to herself
to make a Beast suffer so when he has been so kind to me....It is neither
good looks nor wit in a husband which makes his wife content; it is goodness
of character, virtue and obligingness, and the Beast has all these good
qualities...."
She puts her ring on the table and returns to
the Beast's castle. Beaumont writes:
"She found the poor Beast lying unconscious,
and she thought he was dead. She threw herself on his body, no longer
feeling any revulsion at his appearance. Hearing his heart still beating,
she took some water from the stream and sprinkled it on his head ....No,
my dear Beast, you shall not die, said Beauty, you shall live to marry
me; for I now give you my hand and swear that I will be yours alone.....No
sooner had Beauty said these words than the whole castle lit up; fireworks,
music, everything announced a festive occasion. To her amazement,
the Beast had disappeared and she saw at her feet a prince more beautiful
than Love himself, who was thanking her for breaking his spell....[The
Prince]married Beauty, who lived with him a very long time in perfect happiness,
because their happiness was founded on virtue. "
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